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How to read novels like a professor / Thomas C. Foster.

By: Material type: TextTextPublication details: New York : Harper, c2008.Edition: 1st edDescription: xviii, 312 p. ; 21 cmISBN:
  • 9780061340406 (pbk.)
  • 0061340405 (pbk.)
Subject(s): DDC classification:
  • 809.3 22
LOC classification:
  • PN3365 .F67 2008
Online resources:
Contents:
Preface: Novel possibilities, or all animals aren't pigs? -- Introduction: Once upon a time : a short, chaotic, and entirely idiosyncratic history of the novel -- Pickup lines and open(ing) seductions or, why novels have first pages -- You can't breathe where the air is clear -- Who's in charge here? -- Never trust a narrator with a speaking part -- A still, small voice (or a great, galumphing one) -- Men (and women) made out of words, or, My pip ain't like your pip -- When very bad people happen to good novels -- Wrinkles in time, or Chapters just might matter -- Everywhere is just one place -- Clarissa's flowers -- Met-him-pike-hoses -- Life sentences -- Drowning in the stream of consciousness -- The light on Daisy's dock -- Fiction about fiction -- Source codes and recycle bins -- Interlude: Read with your ears -- Improbabilities : foundlings and magi, colonels and boy wizards -- What's the big idea--or even the small one? -- Who broke my novel? -- Untidy endings -- History in the novel/the novel in history -- Conspiracy theory -- Conclusion: The never-ending journey.
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Holdings
Item type Current library Home library Shelving location Call number Status Barcode
Books Books Main Campus Library University of Eastern Africa, Baraton Main Stack PN 3365 .F 67 2008 (Browse shelf(Opens below)) Available 79934

Includes bibliographical references (p. [309]-312).

Preface: Novel possibilities, or all animals aren't pigs? -- Introduction: Once upon a time : a short, chaotic, and entirely idiosyncratic history of the novel -- Pickup lines and open(ing) seductions or, why novels have first pages -- You can't breathe where the air is clear -- Who's in charge here? -- Never trust a narrator with a speaking part -- A still, small voice (or a great, galumphing one) -- Men (and women) made out of words, or, My pip ain't like your pip -- When very bad people happen to good novels -- Wrinkles in time, or Chapters just might matter -- Everywhere is just one place -- Clarissa's flowers -- Met-him-pike-hoses -- Life sentences -- Drowning in the stream of consciousness -- The light on Daisy's dock -- Fiction about fiction -- Source codes and recycle bins -- Interlude: Read with your ears -- Improbabilities : foundlings and magi, colonels and boy wizards -- What's the big idea--or even the small one? -- Who broke my novel? -- Untidy endings -- History in the novel/the novel in history -- Conspiracy theory -- Conclusion: The never-ending journey.

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