Item type | Current library | Home library | Call number | Status | Barcode | |
---|---|---|---|---|---|---|
![]() |
Main Campus Library | University of Eastern Africa, Baraton | ML 678.4 .P53 2007 (Browse shelf(Opens below)) | Available | 71680 |
Includes bibliographical references and index.
Introduction / Therese Ellsworth and Susan Wollenberg -- 'That domestic and long-suffering instrument' : the piano boom in nineteenth-century Belfast / Roy Johnston -- 'Most ingenious, most learned, and yet practicable work' : the English reception of Bach's Well-tempered clavier in the first half of the nineteenth century seen through the editions published in London / Yo Tomita -- The faces of Parnassus : towards a new reception of Muzio Clementi's Gradus ad Parnassum / Rohan H. Stewart-MacDonald -- Mendelssohnian allusions in the early piano works of William Sterndale Bennett / R. Larry Todd -- William Sterndale Bennett, composer and pianist / Peter Horton -- Victorian pianists as concert artists : the case of Arabella Goddard (1836-1922) / Therese Ellsworth -- Origins of the piano recital in England, 1830-1870 / Janet Ritterman and William Weber -- 'Remarkable force, finish, intelligence and feeling' : reassessing the pianism of Walter Bache / Michael Allis -- Fanny Davies : 'a messenger from Schumann and Brahms'? / Dorothy de Val -- Three Oxford pianistic careers : Donald Francis Tovey, Paul Victor Mendelssohn Benecke, and Ernest Walker / Susan Wollenberg.
There are no comments on this title.